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Spring 2008
Volume 07, Number 2
Newsletter
on Feminism and Philosophy
Book Reviews
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Queering Freedom
Shannon Winnubst (Bloomington and Indianapolis: Indiana University Press, 2006). 253 pp. $55.00 U.S. (cloth); $21.95 U.S. (paper). ISBN 0-253-34707 (cloth); 0-253-21830-6 (paper).
Reviewed by Shelley M. Park
University of Central Florida, spark@mail.ucf.edu
In Queering Freedom, Shannon Winnubst deconstructs modernist notions of freedom in order to recuperate other meanings and practices of freedom, emphasizing the need for a non-reductive account of sexuality in explicating the interplay of joy, pleasure, and eroticism with freedom. The “field of sexuality,” Winnubst contends, is the “most effective site in…late modernity for intervention into fixed concepts of subjectivity and freedom. But we cannot reduce such an insight to a claim about identity” (19). Indeed, Winnubst is explicitly critical of the identity politics that characterize, for example, affirmative action policies and the movement to legalize same-sex marriage, arguing that “categories of identity narrow our field of vision, and subsequently our fields of resistance” (17). Seeking to historicize categories of identity and demonstrate how their continued use perpetuates (rather than subverts) systems of domination, Winnubst draws on Foucault’s archeological method and Bataille’s method of thinking in “general (i.e., non-reductive) economies.”
Part I of Queering Freedom represents the archeological portion of Winnubst’s project. It consists of three chapters, exploring some of the specific ways in which bodily spaces of domination have been demarcated by a modernist politics of freedom. Chapter 1 traces a dominant notion of freedom (as the ability to express one’s power) to Lockean liberalism and its conception of the self as delimited by its utilitarian labor and accumulation of property. Chapter 2 turns to an exploration of Lacanian psychoanalytic theory, arguing that Lacanian ocular metaphysics explains how we come to view bodies as separate contained units demarcated by the boundaries of their skin and yet ultimately renders “Lacan’s authoritative ego,” like Locke’s liberal individual, operative “within an economy of scarcity that is grounded in a model of desire that can never find any external satisfaction” (76). In Chapter 3, Winnubst explores Irigaray’s model of touch as a method for reorienting feminine embodiment, suggesting that her tamed versions of homoerotic desire express the same logic of containment that Irigaray critiques, as evidenced by the eventual return to heterosexism in Irigaray’s texts.
Some of the critiques of these texts will be familiar to feminist readers—Winnubst is not the first to critique Lockean individualism, nor Irigarayan heterosexism, for example. Yet Winnubst takes these critiques in a new direction, focusing on the ways in which norms of “phallicized whiteness” (the norms produced by “interlocking epistemological and political systems of domination” such as sexism, heterosexism, and racism (10)) arise in similar ways in seemingly disparate texts. Central to her analysis is Winnubst’s emphasis, throughout Part I, on the “logic of the limit,” a logic that characterizes a dominant understanding of difference, and thus also of subjectivity and freedom in cultures of phallicized whiteness. This logic, she contends, is the foundational problem plaguing most attempts to think about (social, political, psychic, or sexual) freedom: “Whether the carving of the liberal, neutral individual out of the state of nature through its demarcation of private property, the racializing of bodies according to their visual epidermal delimitations, or the suppression of sexual difference through the logic of containment, a logic of the limit is at work in the classing, racing, and sexing of bodies” (114).
Part II of Queering Freedom turns to the challenge of imagining concepts and practices of freedom not constrained by a logic of the limit. In Chapter 4, Winnubst argues that conceptualizing freedom as “freedom from prohibition” upholds a logic of containment and thus fosters the politics of colonialism and tolerance (119-22). In desiring to transcend the very limitations that define them as “Other,” the raced, classed, and sexed bodies produced by those boundaries serve to “keep the dominant subject position in power” by allowing phallicized whiteness to erase their difference and “swallow them up” into itself (123). This is at the heart of Winnubst’s critique (a critique with which I agree) of the same-sex marriage movement, as contained in the brief epilogue to her book: Same sex marriage will not free gays and lesbians; instead, it represents the co-optation of lesbian and gay resistance by absorbing the “good queers” into the “white-identified, patriarchal, Christian-centric middle-class” (202).
If freedom is not liberation from prohibitions, then what is it? To queer our notion of freedom, Winnubst suggests, is to orient ourselves toward pleasure (rather than desire) and eroticism (rather than sexual identity). These reorientations require us to abandon a notion of the (desiring) self that “projects itself into the future” and thus they require us to queer the ways we inhabit space and time (140). Having already outlined how spatiality functions in cultures of phallicized whiteness (by containing us in raced, sexed, and classed bodies viewed as discrete social units), Winnubst turns in Chapter 5—the chapter which I found most pleasurable—to explicating “the temporality of whiteness.”
Temporality has been an important tool of colonialism (with white concepts and practices of time functioning as a regulative ideal against which other ways of inhabiting time are judged). Again, this is not a new idea; yet, Winnubst’s analysis of it is provocative and illuminating. Explicating the temporality of phallicized whiteness by sketching Lacan’s notion of “the future anterior” and Bataille’s “mode of anticipation,” Winnubst notes two interlocking difficulties with these modes of temporality: first, they locate “the psychological horizon of desire” at the “horizon of the infinite”; secondly, they “embed us, unconsciously, in two sets of socio-psychological values that ground cultures of phallicized whiteness: utility, and thereby capitalism with its concept of pleasure as satisfaction and convenience; and white guilt, with its enactment of the Protestant work ethic and the myth of Progress” (152). The temporality of the future anterior leads us to desire that which “will have been,” (e.g., “I will have traveled to Venezuela”) while the temporality of anticipation leads us to endlessly defer pleasure in favor of incessant planning for the future (e.g., reading travel brochures throughout one’s journey). Neither permits us to live in the present—which is only regarded important insofar as it plays a role in the attainment of useful ends (e.g., compiling a record of one’s travels). Moreover, these modes of temporality undergird an endless cycle of guilt-and-apology (166), in which whites desire to erase the sins of their past, progressing toward salvation via the work of confession itself (e.g., Bill Clinton’s apology for slavery)—without ever engaging past suffering (172-74).
Resistance to oppression, Winnubst concludes in Chapter 6, requires remembering “lost pasts” and learning to think and live “without a future.” By reframing our experience “through a temporality of ‘what might have been,’ rather than the dominant ‘what will have been,’” we open ourselves up to the forgotten violences of our past (e.g., the history of slavery, AIDS) “not out of guilt, but out of political commitment to open our practices of pleasure onto more sustainable practices of freedom” (such as the pleasures of unregulated eroticism between uncontained selves) (190-99). In queering freedom, we radically suspend the future, abandoning desire and courageously experiencing pleasures with no foreseeable utility—including the pleasure of having “no fixed idea of who or what [we] may become” (199).
Of course, Winnubst cannot quite perform what she advocates. As she indicates, “the attempt to write concretely about such a politics of resistance…involves us in some strange contortions” (186). How does one queer a scholarly book? One can attempt, as Winnubst does, to avoid prescriptive injunctions. And yet one cannot avoid the expectations of one’s audience that the book “make sense” and forward “useful” ideas in a scholarly language that establishes one’s “cultural capital.” I have here explicated Queering Freedom as a unitary text with a progressively linear argument—an argument couched in a language which will be most accessible to feminist theorists trained in contemporary continental philosophy, but which has considerable utility for all feminist, anti-racist, and queer theorists and activists engaged in various struggles against oppression. And, to some extent, this is an accurate portrayal of the work (reflecting the limitations under which scholars—even queer theoretical scholars—must write and publish books). At the same time, my explications and assessment reflect the boundaries and containments of the modernist project of the book review itself (it is the role of a reviewer—even queer theoretical reviewers—to explicate the central arguments of a text and indicate to whom the text may be useful). If I were, however, to assess this work merely in terms of the queer pleasures it has to offer, I would recommend that the reader not turned on by the work of scholarly exegesis (some are, some aren’t) or who doesn’t find joy in conversations with Lacan and Irigaray (some do, some don’t), simply abandon her professional work ethic and skip straight to the second half of the book, where one’s imaginings are provoked by examples, autobiographical anecdotes, and theoretical meanderings that are a genuine source of pleasure—pleasures which the boundaries of this review contain to a mere mention.
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